
As far as fantastic, other worldly landscapes go, few come close to touching Ian Miller. Granted- his work is more abstract than most, but that's what makes it truly remarkable. I love images of misty mountain-tops with dueling wizards as much as anyone, but The worlds he illustrates (or scratches out) is dense. This "density" is brought about by images of ruined man-made city-scapes, deteriorating castles, and colossal industrial machines. It's no wonder why Ralph Bakshi wanted him to illustrate the backgrounds in his 1977 animated classic Wizards

Above is the establishing shot of Scortch, which is a desolate wasteland that is a remainder of the war that destroyed the world 300,000 years prior to the story. If you've never seen Wizards, you've been missing out. The basic plot is about how humanity destroyed itself during a big nuclear war, and basically no one lived. Those who did were usually mutants or some other type of monster. Over the course of thousands of years, fairies, elves, and other related fantasy character type emerged and magic came back to common use (because it was apparently forgotten due to us worshiping technology). Then this queen of sorts gave birth to a set of magical twins. One was completely good (Avatar), and one was completely evil (Blackwolf). The movie is about Blackwolf trying to eliminate magic peace from the world through the use of technology, black magic, reanimated evil knights summoned from hell, and armies of mutants from his realm of Scortch.

The above image is Blackwolf and Avatar standing in Blackwolf's castle before their final showdown. Witht he use of silhouetted objects in the foreground, it encapsulates Avatar and also makes you feel somewhat claustrophobic. This image gives you a good idea of what Ian Miller's work is like in the film. It has this crowded but colossal architecture that feels like it's the product of another time. Much like this screen grab, many of of the images of Scortch are of parts of massive castle-like structures that you never see the whole structure, only parts. Even from shots of the distance, the Castles are part of the overall landscape, blending in with more layers of jagged architecture. The Castles have this look that they are in the beginning stages of degradation. Example-














These are screen shots i took, so I did my best to capture a frame with as little animated characters on it as possible. Some of the screen shots are just covered with them, but you can still see the backgrounds pretty well. I'm gonna post the rest of the backgrounds i grabbed for you to look over. I strongly encourage to to look deep into them. They're all very complete and thick. You can honestly loose yourself in them. Side Note- The first image on this post and the image following this paragraph (The red Castle) is my favorite establishing shot in any animated film, ever. It's also one of my favorite illustrations ever. I'm not kidding.




































On an trained animator note- In a couple of scenes, Ian Miller's illustrations are used as layered background to show movement (moving foreground element, or a panning mid-ground element) which really add a whole new level. take this image for instance (spoiler!)


These are great! I see Ian Miller has a few art books out, are you familiar with them and would you recommend one that is similar in style to these cityscape/castle backgrounds?
ReplyDelete